Ayumi s Path That I Continued to Walk a Coloured Future Chapter 3 Different Motivations

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It's a beautifully written story that explores the cruelty of humanity and the strength of the human spirit. This story is a cross between the youthfulness, fear, and paranoia found in The Witch of Blackbird Pond and the racism and young friendship of The Hotel on the Corner of Bitter and Sweet. If you enjoy reading books like those, you'll love Ayumi's Violin.
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Prejudice is never a good thing. Very well written and a great lesson on prejudices and bullying experienced by a child. Great read for Homeschoolers!

She was bullied and discriminated against in Japan for looking too American and having
Ayumi is 12 and was raised in Japan by her poor single mother. All of her mother's relatives died in the bombing of Nagasaki so there is no one to take care of her when her mother dies before chapter one begins. Her father is an American who served during the Japanese reconstruction for two years after WWII and fell in love. He knew nothing of Ayumi until Ayumi's mother wrote to him two months before she died.She was bullied and discriminated against in Japan for looking too American and having no father. When she reaches America she faces similar discrimination for being part Asian. Her stepmother and 10 year old stepdaughter resent the surprise addition to their well-off Pasadena family. Ayumi tries to keep her head down and desperately wants to be accepted by her new family. Her only comfort is her violin which she cannot even play when her stepmother is around because she doesn't like noise. No one even knows how good she plays or how much her music means to her until well into the book.
I really liked the excellent insights into Japanese culture and customs (the author also emigrated to America on a cargo ship because they were poor and she experienced the same kind of discrimination Ayumi faced in the book.
I also liked that some of the problems Ayumi faced required her to choose between equally unacceptable choices. This should give some good opportunities for students to discuss the consequences of the alternatives.
As an adult, I had a slight problem with the way everything got resolved so nice and neatly in the end. This is probably a good thing for the intended age group, but if it had been written for adults, some issues might have been left partly unresolved.
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Gave a clear picture of what it must be like for a youth experiencing a different culture. It was pleasant to read a book that honored honesty and respectful manners.


I loved seeing Ayumi's perspective on life. Her history, her culture and the way she saw the American people. It made me think more deeply on how I see the world. And I desire to see it as lovingly as Ayumi does.
EnlighteningI loved seeing Ayumi's perspective on life. Her history, her culture and the way she saw the American people. It made me think more deeply on how I see the world. And I desire to see it as lovingly as Ayumi does.
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Ayumi's mother dies, forcing her to leave her home in Japan and travel by ship to Pasadena to live with the father she had never known. Bei
I think I'd recommend to not judge this book by its cover. I started reading last night and from the cover, expected a much less sophisticated and engaging voice...but what I got was a pretty compulsively readable story with the quiet, earnest, and heartfelt voice of a biracial Japanese girl suddenly thrust into 1950's middle class white Californian society .Ayumi's mother dies, forcing her to leave her home in Japan and travel by ship to Pasadena to live with the father she had never known. Being biracial in post-WWII 1950's wasn't easy. Even before Ayumi gets on the ship she has been bullied for being "American" in Japan. On the ship she is called "ainoko" or love-child by the captain, and despite the warm love of her father, her new stepmother and sister are not pleased to see her.
There is bullying in the schoolyard, Ayumi's unfamiliarity with American culture, her love of classical music and her violin that her stepmother won't let her play in the house, and new found friendship with other marginalized people-- Mexican housekeeper and her grandson Diego who yearns to become an artist in the same way Ayumi wants to be a musician--and the navigation of how far Ayumi will go both in "gaman" (or bearing up under difficulty) the blatant racism around her and also what she will do to keep her music.
Up until Ayumi makes a fateful decision that goes against the quiet dignity her mother has instilled with her, I was all in for this book. It reads smoothly, Ayumi is super-engaging, the racism present in her everyday world an important aspect of U.S. history kids and adults should be familiar with.
Once Ayumi makes the bad decision, things get a little bit harder for me to invest emotionally in. Without spoiling the latter half of the book, let me just say that a famous person gets involved, along with a local priest, and these two along with Ayumi's father are so quick to forgive Ayumi and explain away her behavior that it didn't sit right with me.
The punishment for her betrayal of Diego and her bad decision is literally--playing her violin. And it was a little hard for me to stomach the complete reversal stepmother and stepsister had without equating it (as Diego did) to Ayumi's violin talent.
Still...despite these quibbles I did read the book all in one night unwilling to set it down because I had to find out what would happen to Ayumi and Diego. And the everyday incidents of racism (being called "jap" by neighbors, folks in a restaurant unwilling to sit next to Ayumi, boys calling her father a commie, etc) quite poignantly drawn and disturbing in a way that is necessary for the people of the U.S., particularly children, to be aware of.
I would totally recommend this as thoughtful, informative, and engaging reading for children 8 and older. And although I read it as an adult, I imagine its geared mostly for the 8-15 age range.
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It is crossover like m
Mariko Tatsumoto is one of the great writers to be discovered. Compare her work to Jamie Ford's. If you loved the cross cultural exploration in Hotel on the Corner of Bitter and Sweet, you'll also love the themes, emotional content, fish-out-of-water gut-wrench, and masterfully quick read of Tatsumoto's Young Adult story. Authenticity is woven right into the story, for Mariko Tatsumoto was born in Japan, emigrated to the U.S., and likely shared many of Ayumi's challenges.It is crossover like many tales of burgeoning maturity and female rites of passage. If you like Lisa See (especially Snow Flower and the Secret Fan), you'll find another satisfying coming of age story in Ayumi's. Add to the comparisons, a similarly strong, yet flawed, young woman finding her way in Joan Prebilich's After the Harvest and Rising Fortunes. This is for adults and young adults alike. Tatsumoto has captured triumph over loneliness and the strength of embracing differences. Bravo! I know there will be many books yet to come!
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I don't know how to review this book exactly. I have deep sympathy for Ayumi. Childhood is hard, especially if you don't fit in and even more so if you're different.
CaptivatingI don't know how to review this book exactly. I have deep sympathy for Ayumi. Childhood is hard, especially if you don't fit in and even more so if you're different.
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I found this book to be a very delightful read. I really wish I could have been at one Ayumi's concerts.


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